Sadness in his eyes; he just wanted to paint. |
Adolf Hitler was born at an Inn in Austrai on April 20, 1889. He was the fourth of six children, all four of which died by five years old. His younger sister, Paula, and he lived to adulthood. His father was a strict, ruthless man who sometimes beat Adolf. His mother was a hardworking, kinder woman. Needless to say, he was much closer to his mother than to his father.
Baby Adolf |
When Adolf was only 13 years old, in 1908, his mother passed to breast cancer, which was a tragic blow to the adolescent boy.
White Orchids; Adolf Hitler |
He was turned down by the Viennese Academy of Fine Arts twice for "unsatisfactory" skills, after which began to shape his hatred towards Jews, Marxists, and the cosmopolitan Habsburg monarchy. After this turning point in his life, he began dreaming of a Greater Germany.
"For hours, I could stand in front of the Opera, for hours I could gaze at the parliament;
the whole Ring Boulevard seemed to me like an enchantment out of the
'Thousand and One nights.' "
-Adolf Hitler, Mein Kampf
The Munich Opera House |
Castle Battlements |
Smoking Tank |
Still Life With Bottle and Fruit |
Hitler had a greatly shaping influence on art, music, and architecture under his rule. He declared most modern art "degenerate" and those artists suffered striking consequences. Many fled the country, while others were prohibited from teaching or painting. He allowed classical methods of art to be proclaimed. He oversaw two shows in Munich at the same time. One, Degenerate Art, the other, The Great German Art Exhibition. Degenerate Art contained artwork, un-cared for and degraded, by modern artists. While The Great German Art Exhibition contained artwork he allowed, those that portrayed Germany in a heroic sense. The latter gained less than half the attendees as the former.
Germania |
Hitler allowed painters and sculptors to produce nudes of males and females. Males must be depicted as strong, powerful, and heroic while females were sleek and clean with full breasts and a flat belly. These were often Nordic, but brunettes were apparent. Hitler continued to create his artwork throughout his reign and his life. He even gave the present world the first design for the Volkswagon Beetle, as well as other ideas.
First design of the Volkswagon Beetle |
In April of 1945, Hitler and a group of men, along with Eva had been hiding in a bomb-proof bunker, the Fuhrerbunker, as the war raged overhead. There were talks of surrender, and that is thought to be Hitler's last straw. Adolf Hitler committed suicide by shooting himself through the mouth. His wife of the previous day, Eva Braun took a cyanide capsule. Hitler had ordered both bodies to be burned. There are rumors that Hitler had not committed suicide, but had sneaked away to live in hiding. Hitler and a group of men, along with Eva had been hiding in a bomb-proof bunker, the Fuhrerbunker, as the war raged overhead. There were talks of surrender, and that is thought to be Hitler's last straw.
Hitler and Blondi |
Hitler also had a deep love for animals, especially his German Shepard, Blondi. He even ordered cyanide pills be given to Blondi and her puppies the same day of his suicide.
A uniquely interesting character, Hitler also went slightly obsessed and paranoid towards his end. Many rumors are floating around, including his army of literate canines and time travel. But I will leave you with this thought: What if Hitler had been accepted into the art academy?
** I do NOT own any of the images **
Images: http://www.totalfascism.com/the-art-of-adolf-hitler/ - more images: http://www.snyderstreasures.com/pages/hartworks.htm - info: http://www.hitler.org/art/ - face of a monster: http://www.dailymail.co.uk/news/article-1164780/Face-monster-Self-portrait-Hitler-painted-just-21-revealed-auction.html - rise of hitler: http://www.historyplace.com/worldwar2/riseofhitler/art.htm - life info: http://ww2gravestone.com/general/hitler-adolf - biography: http://www.jewishvirtuallibrary.org/jsource/Holocaust/hitler.html - hitler as artist - http://www.newyorker.com/archive/2002/08/19/020819craw_artworld
No comments:
Post a Comment